О книге "Stalin's Teardrops"

Another story collection from the prolific Watson (Salvage Rites, Evil Water, Slow Birds), this one comprising 12 tall tales published between 1985 and 1990.

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The longest piece here is brilliantly conceived: a company of Ushabti, tiny clay figurines placed in the sarcophagus of a pharaoh as his attendants, explore their sarcophagus-universe, then attempt to revive their dead master; what makes no stylistic or literary sense, and irredeemably flaws the story, is Watson's introduction of some investigating Egyptologists in the form of a play and, worse, chanting blank verse. Also noteworthy: the impressively imagined title yarn, which probes the strange consequences arising from deliberately distorted maps but all too soon meanders off into unfathomable byways; and a persuasive yarn that features the surrealist architect Gaudi. Elsewhere, three clumsily obvious metaphors (time travel and race hatred; rich vs. poor; a human chicken becomes chancellor of Oxford University) irritate rather than uplift; a jailer physically and psychically absorbs his prisoners; an English village hides odd goings-on; Sherlock Holmes ponders Cinderella, to astonishing effect; and an ayatollah's eyeball elicits only routine irony. Amazingly inventive – but too often inattentive or downright eccentric in the execution.

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